Ironically, since I insisted on drawing my
first cover for Marvel at print size,
budget cuts at Marvel UK resulted in
the last five covers for the Captain
Britain monthly being drawn and
coloured at A4 (to suit a new small
screened scanner) this meant the art
had to be enlarged for publication. I
also discovered with issue 11 that the
new scanning process could 'see-
through' the gouache I used to obscure
the figure in the doorway and it could
not register any gradation in the purple
tone I used to model the house.